For the past 40 years, Africa Negra have been indisputably the most important and genuine ambassadors of the music of São Tomé and Príncipe.
The band is extremely renowned in the lusophone African countries and its worldwide diaspora, be it Europe or North and South America, and are loved for their own inimitably style of heavenly mellowed São Tomé rumba or soukous, with blissful hints of highlife, that their fans came to affectionately call as ‘mama djumba’.
They originally got together in 1974 but their first recordings are from 1981, when they began successfully touring around Angola, Guinea-Bissau, Cape Verde and Portugal, while the music was being released on LPs on legendary Lisbon based label Iefe Discos, records now very sought after on the contemporary global vinyl collectors market lean on post-colonial electric african music.
The band also published their music on cassette and CD formats on the ensuing years, and went through many line-up changes throughout the 1990’s, after the pinnacle ensemble of almost a dozen (included a brass section and dancers) came to an abrupt finale in 1989 in Cape Verde, due to a dramatic parting of the band in two, half of it returning to São Tomé and the other half staying in Cape Verde were their following was devilishly overwhelming.
The group has stabilized their cast two years ago, which allowed them to play more regularly on their native country and increasing incursions abroad. They are still using some of their old instruments (miraculously they still work ), and vintage guitar effects processors that assure the original sounds from the recordings back in the 80s still shine through their charismatic patine.
They are a band of five (voice, 2 guitars, drums, and bass), two of them are from the original formation: João Seria (voice) and Albertino (bass), but you also have to account for Leonildo Barros, the seminal guitar player who helped in defining the band’s sound, now living in Portugal.
Since 2014 the band has come to Europe several times, playing key performances at such festivals as Wasser Musik in Berlin, FMM in Sines and Afrika Festival in Hertme.
In 2019, they released a new album called “Alia cu omali”, their first in over 20 years, with worldwide distribution by Rush Hour; which comprises a series of old classics that were never properly recorded, just “materialized” in live concerts in the 80’s, and were now recorded in studio between Lisbon and São Tomé.
In January 2020, a compilation called “Léve léve” has been released by the Swiss label Bongo Joe Records that highlights some of the band’s classic tracks, along with other important music from the island of the decades of 70 and 80.